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Lowestoft Jazz Weekend 14--16 September, 2018  |
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Ipswich Jazz Festival 22-24 June, 2018  |
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Musicians
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For information about playing at Milestones including equipment and facilities 
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Whilst catering to a wide range of styles, Milestones highlights the more modern end of the jazz spectrum in an informal, friendly atmosphere. From small trios to 18-piece big bands, we feature everything from bebop to hard bop, latin to fusion, cool jazz to free jazz. For details of our next gig see below World class musicians performing in recent years have included Peter King, Don Weller, Ingrid Laubrock, Henry Lowther, Jack Parnell, Jim Mullen, Roger Beaujolais, Polly Gibbons and The Eastern Bloc Big Band.
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Good-time jazz from the great era of swing - accessible old favourites by Benny Goodman, Louis Jordan, Nat ‘King’ Cole and standards from the Great American Songbook are given a new lease of life via the vibrant arrangements and playing of veteran musician Derek Cubitt (alto/tenor saxes, clarinet). With dynamic support from Martin Eaton (tenor sax, vocals), Phil Brooke (guitar), Andy Doyle (double bass) and Brian McAllister (drums) Watch YouTube footage
of Derek Cubitt and Phil Brooke here
and of Martin Eaton here.
Listen to Derek Cubitt and Phil Brooke here
and here
and here Admission - £7 / £6 (concession) |
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"OK, we're in a recession. Now you can all know what it's like to be jazz musicians". Saxophonist Gilad Atzmon to the audience at The Bath Festival, 25 May 2008, quoted in The Guardian (31 May 2008)
The refrain will be coming soon: that's the part I like the best and the abrupt way in which it flings itself forward, like a cliff against the sea. For the moment it's the jazz that's playing; there's no melody, only notes, a host of little jolts. They know no rest, an unchanging order gives birth to them and destroys them, without ever giving them time to recover, to exist for themselves. They run, they hurry, they strike me with a sharp blow in passing and are obliterated. I should quite like to hold them back, but I know that if I managed to stop one, nothing would remain between my fingers but a vulgar, doleful sound. I must accept their death; I must even will it; I know of few harsher or stronger impressions. From 'La Nausée', Jean-Paul Sartre (1938)
"The blues is real, it’s not perverted or thought about, it’s not a concept. It is a chair, not a design for a chair, or a better chair or a bigger chair or a chair with leather on ... it is the first chair. It is a chair for sitting on, not for looking at or being appreciated. You sit on that music". John Lennon interviewed by Jann S Wenner, ‘Rolling Stone’ (1970) |