|
Ipswich
Jazz Festival Lowestoft
Jazz Weekend |
 |
 |
 |
 |
 |
 |
|
Musicians
page
For information about playing at Milestones including equipment and facilities 
|
|
Whilst catering to a wide range of styles, Milestones highlights the more modern end of the jazz spectrum in an informal, friendly atmosphere. From small trios to 18-piece big bands, we feature everything from bebop to hard bop, latin to fusion, cool jazz to free jazz. For details of our next gig see below World class musicians performing in recent years have included Peter King, Don Weller, Ingrid Laubrock, Henry Lowther, Jack Parnell, Jim Mullen, Roger Beaujolais, Polly Gibbons and The Eastern Bloc Big Band.
|
|
The
Readers
Admission: £9 / £5 (U25) |
At
the time of his death, the great singer and pianist from The 3
Bs, Reg Webb, was working on a new project that made real his
philosophy of no music being off limits. From jazz standards to
blues, electric fusion to pop, the idea is finally realised by
the great musicians that Reg picked: Zak Barrett (tenor sax),
Holly Barrett (alto sax), Dan Banks (keyboards), Tony Sandeman
(guitar), Andy Staples (bass) and Andrew Dowding (drums) with
guest vocalist Laura Jepp. |
|
|
"OK, we're in a recession. Now you can all know what it's like to be jazz musicians". Saxophonist Gilad Atzmon to the audience at The Bath Festival, 25 May 2008, quoted in The Guardian (31 May 2008)
The refrain will be coming soon: that's the part I like the best and the abrupt way in which it flings itself forward, like a cliff against the sea. For the moment it's the jazz that's playing; there's no melody, only notes, a host of little jolts. They know no rest, an unchanging order gives birth to them and destroys them, without ever giving them time to recover, to exist for themselves. They run, they hurry, they strike me with a sharp blow in passing and are obliterated. I should quite like to hold them back, but I know that if I managed to stop one, nothing would remain between my fingers but a vulgar, doleful sound. I must accept their death; I must even will it; I know of few harsher or stronger impressions. From 'La Nausée', Jean-Paul Sartre (1938)
"The blues is real, it’s not perverted or thought about, it’s not a concept. It is a chair, not a design for a chair, or a better chair or a bigger chair or a chair with leather on ... it is the first chair. It is a chair for sitting on, not for looking at or being appreciated. You sit on that music". John Lennon interviewed by Jann S Wenner, ‘Rolling Stone’ (1970)
"I can't understand why people are frightened of new ideas. I'm frightened of the old ones". John
Cage quoted in 'Conversing with Cage', Richard Kostelanetz (1988) |