Lowestoft Jazz Weekend

14--16 September, 2018








Ipswich Jazz Festival

22-24 June, 2018






Musicians page

For information about playing at Milestones including equipment and facilities

 

 

 

 


Welcome to Milestones Jazz Club, since 1996 Lowestoft's premier jazz venue!

Whilst catering to a wide range of styles, Milestones highlights the more modern end of the jazz spectrum in an informal, friendly atmosphere. From small trios to 18-piece big bands, we feature everything from bebop to hard bop, latin to fusion, cool jazz to free jazz. For details of our next gig see below

World class musicians performing in recent years have included Peter King, Don Weller, Ingrid Laubrock, Henry Lowther, Jack Parnell, Jim Mullen, Roger Beaujolais, Polly Gibbons and The Eastern Bloc Big Band.

Milestones is resident at Hotel Hatfield, Esplanade, Lowestoft and opens its doors at 8pm on the first Sunday of every month with an admission price of £7 or £6 concessions - no club membership necessary. For enquiries, information on how to find us or to join our extensive mailing list please click here


*** NEXT GIG: SUNDAY 3 JUNE ***



The Kevin Flanagan And Simon Brown Quartet


Tenor/alto/soprano saxophonist Kevin Flanagan teams up with pianist Simon Brown for a celebration of the Blue Note record label’s rich 1960s Hard Bop heritage via the groundbreaking work of Herbie Hancock, Wayne Shorter and Joe Henderson. With Owen Morgan (double bass) and, from Shakatak, Roger Odell (drums).

 

Admission - £7 / £6 (concession)




Neil Kane
(1942-2018)

The ever-present drummer on the local jazz scene, from trad to modern and all points in between. A fine player and a lovely person. Already missed.



Cecil Taylor
(1929-2018)


"OK, we're in a recession. Now you can all know what it's like to be jazz musicians".

Saxophonist Gilad Atzmon to the audience at The Bath Festival, 25 May 2008, quoted in The Guardian (31 May 2008)

 

The refrain will be coming soon: that's the part I like the best and the abrupt way in which it flings itself forward, like a cliff against the sea. For the moment it's the jazz that's playing; there's no melody, only notes, a host of little jolts. They know no rest, an unchanging order gives birth to them and destroys them, without ever giving them time to recover, to exist for themselves. They run, they hurry, they strike me with a sharp blow in passing and are obliterated. I should quite like to hold them back, but I know that if I managed to stop one, nothing would remain between my fingers but a vulgar, doleful sound. I must accept their death; I must even will it; I know of few harsher or stronger impressions.

From 'La Nausée', Jean-Paul Sartre (1938)

 

"The blues is real, it’s not perverted or thought about, it’s not a concept. It is a chair, not a design for a chair, or a better chair or a bigger chair or a chair with leather on ... it is the first chair. It is a chair for sitting on, not for looking at or being appreciated. You sit on that music".

John Lennon interviewed by Jann S Wenner, ‘Rolling Stone’ (1970)